ANDREA LI

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Jewel Tone Gemstone JewelryAndrea Li

Jewel tone means color at full saturation. Deep, dense, glowing, and nothing like the soft end of the spectrum.

Close view of Andrea Li gemstone cluster pieces: tiger's eye, citrine, tourmaline, smoky topaz, spessartite garnet and freshwater pearls on 14k solid gold chain tassels
Four saturated loose gemstones on white: a faceted hot pink rhodolite garnet trillion, a faceted peach citrine round, an emerald cut green emerald and an iridescent opal cabochon flashing blue, green and gold

These are one-of-a-kind pieces built around saturated center stones, chrysoprase and Colombian emerald, chrome tourmaline, spessartite and rhodolite garnet, spinel and deep amethyst, each one hand-set in my Denver studio.

I buy every stone for its color and its cut before it is ever part of a design, which is why no two pieces are the same.

1One of a kind

Hand set in Denver

  • Apple green chrysoprase cabochon
  • Emerald cut Colombian emerald
  • Saturated green chrome tourmaline
  • Mandarin orange spessartite garnet
  • Raspberry red rhodolite garnet
  • Hot pink red spinel
  • Deep royal purple amethyst
  • Ethiopian opal with rainbow play of color

What is the difference between jewel tone and pastel jewelry?

Both terms describe where a color sits, not which stone it is. Pastel gemstones are light in tone and low in saturation, so a lot of white light passes through them, which is what makes them read soft, airy and serene. Jewel tone gemstones sit at medium to dark tone with high saturation, which gives them the dense, glowing richness people associate with royal jewels. The same mineral can land in either camp. Amethyst is the clearest case: pale lilac amethyst is a pastel, deep royal purple amethyst is a jewel tone, and they are the same stone at two points on the dial. I work at both ends, so I buy them as two separate palettes.

PastelJewel tone
ToneThe very light end of the spectrum. High amounts of white light pass through.Medium to dark, which creates a dense, rich look.
SaturationLow, for a muted and soft effect.High, for a vivid and glowing impact.
The feelingLight, airy, delicate, romantic. Soft ethereal clarity, muted blush tones, cloud-like blues, shimmering opalescence, pearl luminescence.Luxurious, dramatic, opulent, regal. The colors associated with royalty, deep purples and reds, bold in character.
Stones I useBlush kunzite, Australian opal, pale amethyst, lavender keshi pearl, morganite, aquamarine, moonstone.Chrysoprase, chrome tourmaline, Colombian emerald, spessartite and rhodolite garnet, spinel, deep amethyst.

Drawn to the other end of the range? See the pastel gemstone collection.

Interactive guide · Tap a chapter

Which Jewel Tone Stone Flatters You?

  1. Fair & Light

    Cool jewel tones give you contrast without heaviness. Rhodolite garnet reads raspberry rather than brick against fair skin, Colombian emerald stays crisp, and deep amethyst is the classic. Go carefully with mandarin spessartite, which can pull warmth you may not want.

  2. Medium & Olive

    The greens are yours. Chrysoprase and chrome tourmaline harmonize with olive undertones instead of fighting them, and emerald looks made for this range. Spessartite garnet adds a warm counterpoint when you want one.

  3. Warm & Golden

    Spessartite garnet, citrine and fire agate are the natural match, glowing rather than competing. Chrome tourmaline in gold creates the warm and cool tension that photographs best, and spinel reads hot pink rather than red.

  4. Deep & Rich

    This is where jewel tones are at their most powerful. Chrysoprase goes electric. Emerald and deep amethyst gain depth instead of disappearing. Black opal against deep skin is one of the most striking combinations in jewelry.

When to Give Jewel Tone Jewelry

  1. Birthstone Months

    Jewel tones cover the calendar unusually well: garnet (January), amethyst (February), emerald (May), opal and tourmaline (October), citrine (November). Five months, five stones I work with by hand.

  2. The Milestone

    Emerald marks a twentieth and a thirty-fifth anniversary. A promotion, a birthday with a zero in it, a thing that took years. Saturated color suits an occasion you want to be able to point at later.

  3. The Person Who Wears Black

    If her wardrobe is black, charcoal and navy, jewel tones are the only jewelry that registers. One saturated stone against black becomes the entire color story of the outfit, which is exactly how these pieces are designed to be worn.

  4. The Bride Who Is Not Doing Pale

    Not every bride wants soft. A deep amethyst or an emerald reads as a deliberate choice rather than a default, and it photographs with real depth. Explore wedding jewelry

  5. Holiday and Evening

    Jewel tones are the palette of the season for a reason. Garnet, citrine and deep amethyst carry candlelight and low winter light better than anything soft, which is why they read as party jewelry without trying.

Find Your Jewel Tone

PropertyChrysopraseColombian emeraldRhodolite garnetDeep amethyst
ColorApple greenDeep blue-greenRaspberry purple-redRoyal purple
MineralChalcedonyBerylGarnetQuartz
Hardness6.5 to 7 Mohs7.5 to 8 Mohs7 to 7.5 Mohs7 Mohs
Daily wear?GoodGood (avoid hard impact)ExcellentExcellent
Cut asCabochon, opaque to translucentFaceted, with visible jardinFaceted, clearFaceted, clear
PersonalityVivid and aliveRegalWarm and deepRich and classic
Best forThe person who wants color nobody else is wearingThe person who wants the one everybody knowsThe person drawn to warmthThe person who wants depth without explanation

Andrea Li buys these stones at the Tucson Gem Show, choosing each one for its color and its cut before it is ever part of a design. Many pieces combine several jewel tone stones in one design, so you do not have to pick just one.

How to Wear Jewel Tones

Jewel Tone on Black

The cleanest way to wear saturated color. Against black, one stone becomes the only color in the frame and carries the whole look. This is the formula that makes a single piece read as an outfit decision.

Best with: black, charcoal, navy, evening wear

Jewel Tone on Camel and Cream

Warm neutrals soften the contrast without muting the stone. Greens and oranges especially come alive against camel, oatmeal and tobacco, which is why these read so well in fall.

Best with: camel coat, cream knit, tan leather

Tonal Jewel Mix

Chrysoprase with emerald. Rhodolite with deep amethyst. My multi-stone designs already work this way, building depth from stones that share a saturation level rather than a single hue.

Best with: solid color, simple silhouette

One Piece, No Competition

A single sculptural necklace or one pair of earrings, nothing else competing. With color this saturated, restraint everywhere else is what lets the piece land.

Best with: simple neckline, hair pulled back

Ask About a Custom Piece →

Which stones count as jewel tones?

A jewel tone is a color at full saturation. Not a specific stone and not a fixed list, but the point on the dial where a color stops being soft and starts being its whole self. Here is what that looks like across the stones I actually work with, grouped by the color they bring.

01

The greens

  • Chrysoprase. A chalcedony, which puts it in the quartz family, though it looks nothing like what most people picture when they think of quartz. The green comes from trace amounts of nickel, and in the best stones the color seems to come from inside the stone rather than sitting on the surface. A 6.5 to 7 on the Mohs scale, opaque to translucent, and almost always cut as a cabochon.

  • Colombian emerald. A beryl, cousin to aquamarine and morganite, colored deep blue-green by chromium and vanadium. Hard at 7.5 to 8, but almost every emerald carries internal inclusions that the trade calls the jardin, the garden. In emerald these are expected rather than a flaw, and they are how you tell one stone from another.

  • Chrome tourmaline. Tourmaline colored by chromium and vanadium into a green so saturated it reads almost electric. A 7 to 7.5 on the Mohs scale, tough enough for daily wear, and one of the few greens that holds its intensity under low light.

  • Chrysocolla. A copper silicate in teal and turquoise, usually shot through with dark copper matrix veining. Its hardness depends entirely on how much silica it absorbed as it formed, which is why the published range runs all the way from 2 to 7 on the Mohs scale. The translucent, glassy end of that range is called gem silica and approaches 7. The material I use is the opaque kind with visible matrix, which sits lower, so I put it in pieces built for an occasion rather than for every day.

  • Green amethyst, also called prasiolite. A soft leafy quartz at 7 on the Mohs scale. It sits at the quiet edge of this collection and is the one stone that belongs to both palettes, which makes it the bridge between this page and the pastel collection.

02

The reds and oranges

  • Spessartite garnet. Garnet is not one stone but a family, and spessartite is the manganese aluminum member, which is where that mandarin orange comes from. A 6.5 to 7.5 on the Mohs scale, with a brightness that survives being set next to much louder stones.

  • Rhodolite garnet. A natural blend sitting between pyrope and almandine, which gives it that raspberry purple-red rather than the brick red people expect from garnet. A 7 to 7.5, clear and bright, and it reads warm against both gold and silver.

  • Spinel. A magnesium aluminum oxide and, at 8 on the Mohs scale, one of the hardest stones in this collection. Spinel spent centuries being mistaken for ruby in royal collections before anyone understood it was a separate mineral. It is singly refractive, which is part of why it reads so clean and bright.

  • Fire agate. A chalcedony with microscopically thin layers of iron oxide inside it, which throw an iridescent flash of orange, red and green as the stone moves. A 6.5 to 7. The flash is structural, not a coating, so it is part of the stone and cannot wear off.

  • Citrine. Quartz in warm golden amber, a 7 on the Mohs scale, durable and easy to wear. Most commercial citrine is heat-treated amethyst rather than natural citrine, and mine most likely is too. If you want to tell them apart: natural citrine runs pale lemon to champagne with soft, even color, while the bright orange version with a whitish base and the color pooling toward one end has almost always been heated.

03

The purples and pinks

  • Deep amethyst. The same mineral as the pale lilac amethyst in my pastel work, quartz colored by iron, but at the saturated end of its range. A 7 on the Mohs scale. Where the stone lands on that range is a sorting decision I make at the bench, not something the mine decides for me.

  • Watermelon tourmaline. A single crystal that grew pink at the core and green at the rim, sliced crosswise so you see both at once. A 7 to 7.5. The color zoning happened as the chemistry of the growing crystal changed, which means every slice is a cross section of its own history.

04

The darks and the fire

  • Black opal. Hydrated silica with a dark body tone, which is exactly why its play of color reads so vividly. The spectral flashes come from light diffracting through microscopic silica spheres stacked inside the stone. A 5.5 to 6.5 on the Mohs scale, so it is among the softest things I set.

  • Boulder opal. Opal that formed in the cracks of ironstone and is cut with that host rock left in place, so the brown matrix becomes part of the design. A 5.5 to 6.5. No two are cuttable the same way, because the shape of the opal seam decides the shape of the stone.

  • Ethiopian opal. A honey-toned opal with rainbow play of color, at 5.5 to 6.5. It is hydrophane, meaning it absorbs water, and a soaked stone can go temporarily cloudy and clear again as it dries. That single property changes how it has to be cleaned and stored.

  • Peruvian opal. A common opal, which means it has no play of color at all, just a soft opaque blue-green. A 5.5 to 6.5. Some Peruvian opal carries dark dendritic inclusions that look like tiny ferns; the material I buy does not, so mine reads as clean, even color.

Interactive · 2 questions

Pastel or jewel tone: which palette is yours?

Both palettes are statements. Pastel sits at light tone and low saturation, airy and serene. Jewel tone sits at medium to dark tone with high saturation, dense and glowing. Pick your skin tone and the stones you are drawn to, and this will tell you which end of the range you lean toward.

1. Your skin tone

Pick the closest match.

2. The stones you are drawn to

Choose up to three. Go on instinct.

Selected 0 of 3

Pick a skin tone and a stone to see your match

  • Orenda editorial featuring a model wearing sculptural gemstone jewelry beside a close-up of a gold, purple, and green statement cuff.
  • Editorial spread featuring a model in a champagne dress beside a multicolor tourmaline collar necklace set in gold.
  • Orenda editorial featuring a model in a patterned dress wearing a long tourmaline layering necklace beside a full product view.
  • Editorial spread featuring a model wearing a multicolor tourmaline choker beside a close-up of the gold collar with gemstone fringe.
  • Orenda editorial featuring a model in a patterned dress wearing a sculptural tourmaline and gold bracelet beside a product close-up.
  • Orenda collage featuring a model in tourmaline jewelry beside close-ups of multicolor gemstone earrings and a sculptural bracelet.
  • Orenda editorial featuring a model layered in tourmaline necklaces beside close-ups of multicolor gemstone designs on gold chains.
  • Orenda editorial featuring a model wearing a long gold-link tourmaline necklace beside a full product view with purple gemstone drops.
  • Orenda editorial featuring a model in a multicolor tourmaline fringe necklace beside a full product view on a gold link chain.
  • Fringe Case editorial featuring a model in a tourmaline necklace beside a close-up of the pink gemstone design with cascading gold chains.
  • Eros jewelry editorial featuring a model in garnet earrings and necklace beside a close-up of the gold chain and red gemstone design.
  • Eros editorial featuring a model wearing a garnet lariat necklace beside a close-up of the gold and deep red gemstone design.
  • Editorial spread featuring a model wearing garnet jewelry beside ornate gold chandelier earrings with deep red and pink gemstones.
  • Eros jewelry spread featuring a model layered in garnet bracelets, earrings, and necklace beside a close-up of a pink gemstone bracelet.
  • Eros editorial featuring a model wearing garnet bracelets and necklace beside close-ups of the coordinating red gemstone designs.
  • Gold necklace with clustered pink, green, and golden tourmalines framing a deep red faceted garnet drop on a white background.

From the bench · Andrea Li

I found a strand of chrysoprase at the Tucson Gem Show. Deep apple green, almost glowing.

If you have never been, it is the largest gem and mineral show in the world, and for a bench jeweler it is like being turned loose in a library where every book is one of a kind. You walk the aisles knowing that if you do not pick something up today, it will be gone tomorrow, and somebody else will take it home, and you will spend the next year thinking about the one that got away.

I picked up Colombian emeralds and Peruvian opals on that same trip. All green. All chosen because of Judy. She is one of my collectors, and she and I have built multiple collections together over the years. She told me once that she loved green chrysoprase specifically, and that comment lived in the back of my mind as I walked the aisles. When I saw these stones I heard her voice and could not put them down.

Those stones have been waiting ever since. That is the part of this work most people never see. Some stones come home and go straight to the bench. Others sit in a drawer for months or years, waiting for the right design to find them. I do not rush that. The stone tells me when it is ready.

Looking for the soft end of the range instead? See the pastel gemstone collection.

Close-up of green chrysoprase, aqua chalcedony, and clear faceted gemstone strands with turquoise tassels arranged on a workbench.

Which jewel tone stones hold up to everyday wear?

Hardness is measured on the Mohs scale, which runs from 1 to 10. Anything at 7 or above wears comfortably day to day. Below 6.5, a stone wants a little thought about where you wear it.

StoneColorHardness (Mohs)The feeling
The greens
Apple green chrysoprase cabochonChrysopraseApple green6.5 to 7Vivid, alive
Emerald cut Colombian emeraldColombian emeraldDeep blue-green7.5 to 8Regal
Saturated green chrome tourmalineChrome tourmalineSaturated green7 to 7.5Electric
Teal chrysocolla cabochon with copper matrixChrysocollaTeal and copper2 to 6Oceanic
Soft green amethyst, also called prasioliteGreen amethystSoft green7Fresh, cool
The reds and oranges
Mandarin orange spessartite garnet, facetedSpessartite garnetMandarin orange6.5 to 7.5Blazing
Raspberry red rhodolite garnet, facetedRhodolite garnetRaspberry red7 to 7.5Warm, deep
Hot pink red spinel, facetedSpinelHot pink-red8Brilliant
Fire agate cabochon with iridescent flashFire agateIridescent red-brown6.5 to 7Smoldering
Golden amber citrine, facetedCitrineGolden amber7Sunlit
The purples and pinks
Deep royal purple amethyst, facetedDeep amethystRoyal purple7Rich, regal
Watermelon tourmaline slice, pink center with green rimWatermelon tourmalinePink and green7 to 7.5Playful
The darks and the fire
Black opal with spectral play of colorBlack opalDark with spectral fire5.5 to 6.5Dramatic
Boulder opal with ironstone matrix and color barsBoulder opalIronstone and color5.5 to 6.5Earthy, wild
Ethiopian opal cabochon with rainbow play of colorEthiopian opalHoney with rainbow fire5.5 to 6.5Luminous
Soft blue green Peruvian opal cabochonPeruvian opalSoft blue-green5.5 to 6.5Calm

The softest stones here are the opals, which is why I set them where they take the least knocks. Looking for the other end of the range? See the pastel gemstone collection.

  • Editorial image of a platinum-haired model wearing a vibrant green, blue, and yellow gemstone face piece beside the matching necklace.
  • Fashion triptych featuring a model in a green gown and oversized sunglasses beside a close-up of an amber and gold statement necklace.
  • Translucence editorial featuring a model wearing a layered gold necklace with amber, pink, and smoky gemstone clusters beside a product close-up.
  • Fashion spread featuring a blonde model with bold blue makeup and amber crystal earrings beside a close-up of the dangling design.
  • Editorial spread featuring a platinum-haired model wearing an ornate gold, crystal, and gemstone statement necklace beside a product close-up.

Questions I get about jewel tone jewelry

01What if a jewel tone piece I like is sold out, can you recreate something similar?

Yes. Since my pieces are one-of-a-kind and hand sculpted, I can create something similar but not exact. The gemstones I select are chosen for their rarity and unique cuts, with limited availability. I can usually find other gemstones comparable to those in the original design to recreate a piece infused with its own story of originality.

This comes up more with jewel tones than with pastels, because a saturated stone in an unusual cut is harder to match twice. I would rather tell you that up front than promise a copy I cannot make.

02How does a custom jewel tone commission work?

It starts with a conversation about which pieces or styles you are drawn to. I source gemstones specifically for your piece where I can, build a private page for larger orders so you can see everything in one place, and work at a pace that puts craftsmanship ahead of speed.

Commissions run from a single piece to multi-batch collections built over months or years. One collector has commissioned more than twenty pieces with me across three batches. Start a custom project.

03How do I care for the softer jewel tone stones?

Most jewel tone stones are hard enough to wear without thinking about it. Spinel sits at 8 on the Mohs scale, emerald at 7.5 to 8, garnet and tourmaline at 7 or above. Those are everyday stones.

The ones that want a little thought are the opals and the chrysocolla. Opals sit at 5.5 to 6.5 and Ethiopian opal is hydrophane, meaning it absorbs water, so it should never be soaked and can look temporarily cloudy if it gets wet. The chrysocolla I use is the opaque kind with visible matrix, which is softer still, so I build it into pieces made for an occasion rather than for every day.

For everything: put jewelry on last, after perfume and lotion, and take it off before washing, exercise and sleep. Store each piece separately so a harder stone cannot scratch a softer one.

04Do you make matching earrings for a necklace?

Yes, and it is one of the most common things people ask me for. My work does not sit comfortably next to standard jewelry, so a companion pair solves a real problem rather than just matching.

I usually keep the earrings as a post or a stud. The necklace should be the thing people see first, and a second statement piece competing with it does neither of them any favors.