ANDREA LI

LIMITED COLLECTIONS

Heirloom RedesignGemstone Jewelry

Finished heirloom redesigns by Andrea Li, including client pieces rebuilt from inherited jade, whiskey topaz and pearls

Denver Studio · Commissions

There is a piece in your jewelry box you cannot wear and cannot let go of.

Your mother's pearls. An aunt's pendant. A strand that arrived with a story attached and a style that was never yours. You cannot give it back. You cannot give it away. And melting it down is the one thing you are certain you do not want.

I redesign inherited jewelry into pieces you will actually wear, by hand, in my Denver studio.

I never melt the original

The jade pendant is still the jade pendant.

When Carolyn brought me her aunt's green jade pendant, she did not want it changed. She wanted to stop feeling that not wearing it was a small ongoing betrayal. So the pendant stayed exactly what it was. It sits now at the center of an asymmetrical multi-chain necklace I built around it. All of the work was in what surrounded it.

The trade's usual answer to inherited jewelry is to melt the metal down and reset the gemstones. Mine is the opposite. Your original setting becomes part of the new design rather than raw material for it. What arrives is what leaves, carried inside something you will wear.

About these pieces

These are vintage and reclaimed pieces from my own studio rather than client commissions. Many of them began as old jewelry I took apart and rebuilt. They are here because the method is exactly the same one I use on an inherited piece: keep what matters, and build something new around it. Most have long since sold. The finished client work is in the header image and in the stories further down.

  • Vintage rhinestone statement necklace with fuchsia and green flowers on gold-tone settings
  • Detail of prong-set fuchsia rhinestones and gold petal work
  • Detail of green navette leaves framing a fuchsia rhinestone flower
  • Gold-tone flower centering a fuchsia and green rhinestone cluster
  • Detail of olive and green navette leaves beside a fluted gold fan
  • Detail of silver-tone leaf castings on a rhinestone necklace
  • Detail of sapphire-blue navette crystals set among silver leaves
  • Silver-tone leaves and blue crystal along the curve of a necklace
  • Vintage blue rhinestone fringe necklace with a wide bib front
  • Detail of a large faceted deep-blue crystal in a prong setting
  • Detail of dark blue faceted crystals in silver-tone claw settings
  • Close macro of blue faceted crystal cut and light refraction
  • Vintage teal and sapphire rhinestone bib necklace
  • White and yellow enamel flower necklace with a Y-shaped drop
  • Detail of a black faceted crystal set inside a white enamel flower
  • Detail of white and yellow enamel flowers with crystal centers
  • etail of aurora borealis crystal beside black enamel rings
  • White enamel blossoms and yellow petals along a beaded collar
  • Emerald and olive crystal set into a gold-tone linked collar
  • Detail of green and olive crystal clustered over gold leaf castings
  • Detail of emerald rhinestones threaded through heavy gold chain
  • Detail of emerald rhinestones threaded through heavy gold chain
  • Emerald navette crystals and gold chain across the front of a necklace
  • Detail of an emerald crystal cluster on a gold chain collar
  • Aqua crystal and pearl fringe necklace with a cascading front
  • Detail of freshwater pearls set among aqua and iridescent crystal
  • Detail of an aqua crystal and pearl cluster with beaded fringe
  • Silver-tone leaf necklace set with blue navette crystal
  • Detail of silver leaf castings and blue navette crystal
  • Brass filigree drop earrings with faceted crystal beads
  • Enamel and crystal collar necklace in an art nouveau style
  • Detail of gold-tone links beside amethyst and pink crystal
  • Detail of gold-tone chain against green enamel leaves
  • Green enamel leaf necklace centered on a faceted amethyst crystal
01

What I can work with

My work is fabrication, wire work and assembly, which means I build around gemstones that are already drilled rather than setting loose ones into metal.

  1. 01

    Strands

    Gemstone beads or pearls, whole or partial

  2. 02

    Pendants & charms

    Single drops, lockets, medallions

  3. 03

    Finished jewelry

    Necklaces, bracelets, earrings

  4. 04

    Broken pieces

    Unwearable is not a problem, undrilled is

One honest limit

If your gemstone is loose, I am not your maker

A loose, undrilled gemstone has to be set into metal, and that is genuinely not what I do. I would rather tell you now than take your deposit.

Send it to Heather at Bohemi instead. She does that work beautifully, and I trust her with the people I send her way.

  • Detail of aurora borealis crystal beading against black faceted stones
  • Detail of black faceted crystal and gold-tone leaf castings
  • Black jet and crystal necklace shown from two angles
  • Smoky gray crystal necklace with a multi-strand front and drop
  • Raw aquamarine crystal specimen beside the finished piece it informed
  • Soft-focus detail of silver-tone chain and clear crystal
  • Detail of smoky gray navette crystal around a blue-green center stone
  • Gray and green crystal petals scattered across a beaded collar
  • Black crystal necklace centered on a large oval cabochon pendant
  • Detail of faceted black crystal beading against polished gold
  • Black crystal cluster tapering into a gold-framed pendant
  • Clear rhinestone collar necklace with a filigree centerpiece
  • Detail of a rhinestone and pearl panel beside a snake-chain band
  • Detail of marcasite filigree set with clear crystal and pearl
  • Detail of layered marcasite filigree, crystal and pearl
  • Clear rhinestone pendant with a filigree drop and crystal fringe
  • Rhinestone collar necklace with a mesh band and a tapered drop
  • Detail of a fanned multi-row snake chain in silver tone
  • Detail of a pave rhinestone navette in a silver-tone setting
  • Detail of square-cut crystals in raised claw settings
  • Rhinestone collar with a scrolling openwork pendant
  • Clear crystal necklace with a spray of baguette and navette stones
  • Detail of baguette crystals set beside pave rhinestone banding
  • Detail of a rhinestone rope curving through clear crystal
  • Detail of long baguette crystals fanned into a fringe
  • Detail of clear crystal spikes and faceted rounds in a cluster
  • Clear crystal and silver-tone wirework necklace with a cascading front
  • Detail of iridescent aurora borealis crystal beading
  • Detail of large iridescent oval crystals in claw settings
  • Iridescent crystal cluster necklace on fine silver-tone wire

Interactive · 3 questions

  1. 01What do you have?
  2. 02What stops you wearing it now?
  3. 03What would you love to end up with?

What could yours become?

Heirloom Matcher

Three questions. I will tell you honestly whether I can work with what you have, and what it could turn into.

Question 1 of 3

What do you have?

Choose one

Question 2 of 3

What stops you wearing it now?

Choose one

Question 3 of 3

What would you love to end up with?

Choose one

  • Gold chain necklace centered on a carved carnelian pendant
  • Gold-tone chain collar with a carved carnelian drop
  • Detail of olive and coral beadwork against gold-tone chain
  • Gold mesh collar with draped chain swags and crystal drops
  • Detail of an openwork gold mesh band
  • Detail of gold chain links against a scrolled filigree frame
  • Gold mesh collar with swagged chain and faceted drops
  • Gold-tone collar with a crystal cluster and a large faceted drop
  • Detail of a herringbone gold chain coiled on itself
  • Detail of a portrait coin charm among gold links and rhinestone
  • Detail of clear crystals set in a gold-tone claw mount
  • Close macro of a large faceted crystal against gold
  • Gold herringbone chain beside a coin and rhinestone cluster
  • Detail of coin charms, rhinestone flowers and gold leaves on a collar
  • Gold collar necklace with a rhinestone flower and a pearl drop
  • Close macro of rutilated quartz showing golden needle inclusions
  • Detail of iridescent crystal beads against gold-tone metal
  • Detail of pearls, gold scrollwork and crystal on a collar front
  • Gold tassel necklace with pearl drops
  • Detail of gold filigree caps repeated against pearl
  • Detail of a large baroque pearl between gold filigree caps
  • Detail of knotted gold metal mesh chains
  • Detail of teardrop pearl drops suspended from gold chain
  • Gold leaf collar necklace strung with pearls
  • Detail of brushed gold leaf castings joined by a jump ring
  • Detail of gold mesh banding beside pearls and clear crystal
  • Gold spray necklace with pale gold petals
  • Detail of gold mesh, chain and rhinestone banding layered together
  • Detail of pearls and crystal massed against gold mesh
  • Gold collar necklace with a citrine crystal drop
  • Detail of a fanned gold leaf casting repeated along a collar
  • Detail of amber crystal beneath a gold rhinestone rope
  • Detail of faceted amber and olive crystal on gold leaves
  • Detail of a gold starburst brooch form with dark crystal beading
  • Gold necklace with a crystal cluster and a tapered drop
  • Detail of clear rhinestone banding against a fluted gold fan
  • Detail of rhinestone rows curving over a fluted gold fan
  • Detail of a twisted gold rope chain
  • Rhinestone and gold mesh panels shown as a matched pair
  • Detail of a rhinestone cluster set into gold mesh
  • Gold collar necklace with a fanned crystal drop
  • Detail of black crystal set into polished gold leaves
  • Detail of faceted black jet beads with gold accents
  • Gold leaf collar centered on a dark crystal cluster
  • Gold necklace with an olive crystal cluster and beaded fringe
  • etail of amber and topaz crystal with an olive briolette drop
  • Close macro of an iridescent amber crystal facet
  • etail of olive and amber crystal above a chain fringe
  • Detail of a wide gold chain band beside a crystal cluster
  • Detail of olive, amber and iridescent crystal massed on gold

No heirloom of your own?

I do this with vintage too

Redesigning inherited jewelry is the same craft I use on the vintage pieces I source myself. I hunt estate sales, vintage dealers and Denver's Antique Row for pieces with the right bones, strong metalwork and unusual components, then rebuild them into something they were never meant to be.

Same principle, same hands. The difference is only whose drawer it came out of. If you love the idea of wearing something with a history but do not have a piece of your own, that collection is where to start.

See the vintage collection →

  • Detail of amber and topaz crystal clustered on a gold earring
  • Pearl and crystal drop earrings on gold-tone lever backs
  • Detail of a pearl drop earring with a crystal spacer
  • Pearl drop earrings with gold filigree caps, shown as a pair
  • Black jet drop earrings with faceted crystal clusters
  • Detail of a faceted black jet briolette on a gold ear wire
  • Black jet and crystal drop earrings shown from four angles
  • Detail of blue crystal briolettes on a pave silver-tone ring
  • Detail of aquamarine-blue crystal clustered on a pave ring
  • Blue crystal flower ring in a pave silver-tone setting
  • Blue crystal cluster ring shown on a plain background
02

How it works

Nothing travels before we both know it will work.

  1. 01

    Send me photographs first

    I can tell from photos whether your piece will work with the way I build. This costs you nothing and settles the only question that matters.

    Email me your photos

  2. 02

    We design it together

    What you have, what you actually wear, and what the piece could become. You name a budget and I design inside it.

  3. 03

    The commission is confirmed and part-paid

    Before anything is posted. I do not want your heirloom sitting in my studio against a maybe.

  4. 04

    Getting it to me

    Hand it to me in person in Denver, or post it. For anything of real value I will ask you to insure it and require a signature.

  5. 05

    I photograph it the day it arrives

    And send those photographs straight to you, so we both hold a record of exactly what I received.

  6. 06

    It comes home fully insured

    Inside the finished piece, signature required.

03

What it costs, and how long

Commission range

$300 to $10,000

A real range, not a starting-from figure. Where yours lands depends on the complexity of the design and the other materials it needs.

Your own gemstones reduce what I have to buy. I design within the budget you give me, and you will never see an invoice larger than the one we agreed.

Timeline

Same as any commission

Bringing your own gemstones does not shorten it much, because I am still sourcing the pieces that go around yours. Specialty gemstones can take three to four weeks to arrive before I start building.

I would rather under-promise. Most people receive their piece earlier than the date I give them.

04

How I build

  1. 01

    No CAD, ever

    I have never used CAD in my design process. Nothing about your piece is rendered on a screen and sent out to be produced. I work it out at the bench, in metal, with your gemstones in front of me.

  2. 02

    Cold connection where your gemstones are concerned

    Your material is joined by cold connection, which means no heat goes near it. I do solder, but only to make the components that surround your gemstones: a bracelet frame, a choker base, a custom linked chain. By the time your heirloom enters the piece, the soldering is finished and cooled.

  3. 03

    Your setting stays in the design

    The original setting is incorporated into the new piece. It is not scrap, and it does not come back to you in an envelope.

More vintage and reclaimed pieces from the studio, most of them now sold. Same method, my own material rather than a client's.

  • Detail of enamel flowers with pearl centers on a gold cuff
  • Detail of yellow enamel petals and citrine crystal on a cuff
  • Gold cuff bracelet with yellow and green enamel flowers
  • Detail of pearls, gold discs and clear crystal on a wide cuff
  • Wide pearl and chain cuff bracelet with gold-tone spacers
06

Questions people ask

01Will you melt down my piece?

No. I never melt the original. Your gemstones and your original setting are incorporated into the new design, not used as raw material for it.

02What if my gemstone is loose and not drilled?

Then I am not the right maker for it. I build around gemstones that are already drilled rather than setting loose stones into metal. I would point you to Heather at Bohemi, who does that work beautifully.

03How do I get my jewelry to you safely?

Hand it to me in person in Denver, or post it. For anything of real value I will ask you to insure it and require a signature. Nothing travels until the commission is confirmed and part-paid, and I photograph your piece the day it arrives so we both have a record. It comes home fully insured inside the finished piece.

04What does an heirloom redesign cost?

Between $300 and $10,000, depending on the complexity of the design and the other materials it needs. Your own gemstones reduce what I have to buy, though most redesigns still need complementary gemstones or components. I design within the budget you name and never invoice above what we agreed.

05Can you use only part of a piece?

Yes. A strand can become several pieces, and a single pendant can move into something entirely different. Carolyn's three commissions came out of three separate inherited pieces, each redesigned on its own terms.

06Do you design on a computer first?

No. I have never used CAD. I work the design out at the bench with your gemstones in front of me, which is why photographs come first: I need to see what I am building around.

Detail of a pearl drop earring with a crystal spacer

Start a conversation

A 30-minute call, no commitment. Bring photographs of what you have.

Book your free consultationEmail me your photos

Or see the full commission process.

30

Minute call

No commitment.

Commission range

$300 to $10,000

Timeline

Same as any commission